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OK, so I'm exposing myself to some major criticism here, but take a listen to this and let me know what you think...
http://www.codemaster.com.au/temp/drive.mp3
Done with Nuendo for mixing, Fruityloops for drum tracks, and my Yamaha RBX 5 string bass (all sounds except drums).
Would be particularly interested in what musos think of the levels and mix.
Peace.
I like it, or at least it's potential. Is it finished?
WOW...sounds a lot like some U2 stuff
Well, to me it is (intended to be an instrumental). Would have liked a bit of atmospheric vibe in the background, but didn't have a midi controller then...Quote:
Originally Posted by Cozmo D
:flee:Quote:
Originally Posted by Chief
That sounds like a compliment! Alas, I can't stand Boner... I mean Bono.
Now for some really cringe-worthy stuff - here's a track with MY VOCAL! AAGGHH!!! These tracks are part of a three track EP I did in a week's worth of evenings while the missus was away. No outside help, all myself.
http://www.codemaster.com.au/temp/let_it_out.mp3
Again, Nuendo, Fruity, and my 5str RBX - and me doing a soft rap (with a vocal effect. Sound like shit otherwise!)
I won't put up the other track off the EP - mainly because it has me actually SINGING, but it's a mix of heavy rock chrous and reggae verse... a bit 311...
Needs melody and a bit more accompaniment, for my tastes anyway. :)Quote:
Originally Posted by A.Dulteror
Yeah, you should really have something once you are able to add some keys or other accompaniment. :)Quote:
Originally Posted by A.Dulteror
Cheers!
Once I get the roland in a few weeks I'll experiment. I've got so many MIDI plugins with wave overlays and sound fonts it's gonna take me months just to figure out what I can do with it...
What's wrong with Bono?
Anyway, Ian, I only listened to your vocal track so far. I thought it was pretty good! The vocals surprised me. I wasn't sure what to expect, but I thought they were really well done. You did good. =)
love,
Elizabeth
Just an observation on the drums for Drive... The tom sounds echoed and distant. The rest of the drum kit (kick, hi-hat and crash/ride) sound flatter, more natural as though they were being played close to in front of you. So, while most of the drum kit sounds real and in front of you, the tom sticks out like someone striking a hollow log/bamboo/something echoey further in the background.Quote:
Originally Posted by A.Dulteror
Listening to it several times, the break where the crash is run backwards, then forward (about 2:27), seems a bit long in between. To me it feels like the break is 2 - 4 times too long. As fast as the song is going, and as fast as the bass is going, it seems like it should continue quicker - or maybe even slower - like twice as long as it currently is. Do you consider this 132 bpm? The main sound of the crash backwards is 4 beats, the break is 4 beats, then the main sound of the crash forward is 4 beats. It seems like there could be either more in the middle to get to the forward crash, or a shorter break to make it a little more interesting. By shorter, I mean like 3 1/2 beats reverse crash, 1/2 beat break, then crash forward. Just a suggestion...
Really cool overall! :clap:
With regards to Let it Out, it reminds me of a late 60's hazy, psychedelic tune. The vocals definitely contrast the beat with as fast as they go. The processing and panning on the vocals sound cool on the headphones! :clap:
:think: I don't know if the music really reflects the feeling of the words, though... maybe if more melody was added it would feel a bit different... The words feel like you are spitting it out fast and hard (keeping strong, bottling it all up until you can let it all out on the microphone), but the tune in the background is slow and swaying - almost a little dark and foreboding.
Just my opinions - you asked for it!
There was this band in Australia called Pre.Shrunk(disbanded now) who produced kind of doof style bass tracks (they were actually two basses and a drummer). "Drive" is kind of a tip of the hat to them... anyway:
pm, you kinda lost me about halfway through the second paragraph :D
But - The break in the middle is kindof like stopping to catch your breath, you know? Long enough to get a few deep breaths and then bang - straight back in even harder...
I agree, the hats and kick could have done with a little more reverb on Drive - but are you talking about Let It Out?
There's actually two snares in Let It Out - the first is a standard close up straight hit, while the second is intended to sound more like a roto tom or a snare with the coils dropped... unfortunately, I don't have very many drum samples, and until I get a kit (hopefully soon - gotta sell my Street Fighter II arcade machine first), I'm stuck with digital drums. Computerised drums tracks have their place, just not in my music. I would much rather a real kit.
I also agree it's a bit short. I just felt that if it dragged on like other similar style tracks, I'd just be milking track time. It's got the blunt, to the point feel that I intended - didn't intend it to be one of those trance tracks that feel like they should have ended three hours ago...
And yep, about 132 - can't remember, don't have the masters anymore :(
Bono is a knob. :tiphat:Quote:
Originally Posted by ElizabethX
I'm not terribly happy with the vocals, but not too shabby for written and recorded in, like, 3 hours...
These tracks were never intended as demos or anything excessively polished...
They're just for me and anyone who I want to play them to.
Kind of like my own little F*cked Music :D
Yea, I was basically saying it felt to me like the break could be shorter (to emphasize the quick break, but right back into it) or longer with a little more "stuff" thrown in to build it harder (but just a few beats longer). I sometimes find it hard to explain what I sense and feel, so I end up rambling on... :rolleyes:Quote:
Originally Posted by A.Dulteror
No, I was talking about Drive. Starting with a crisp hihat pattern, then the kick-kick-kick-tom. The kick has a crispness to it - almost like the sound you hear resonate off of the snare when it is close to the kick. The tom sounds echoy and a little distant, like a bongo more than a tom. All other percussion is crisp and closer feeling.Quote:
Originally Posted by A.Dulteror
What did you do after the break to get the high bass to sound like that - about 2:30 and on, panned a bit to the right, slowly moves around a little?
A little stereo chorus - not too much, just enough to make it float. Yeah, maybe the snare could have been a more crisp sample... could have tweaked it a bit...
OK - Got myself a midi controller for my birthday, and after a couple of nights fiddling with it (the controller that is :D), produced the following track in 1 hr. Not bad if I do say so myself... Be interested to hear what y'all think... I call it "Fallen Numbers".
http://www.codemaster.com.au/temp/fallen_numbers.mp3
VERY nice groove! Needs a melody. :clap: :clap: :clap: :clap: :clap:Quote:
Originally Posted by A.Dulteror
:blush: :cheers:Quote:
Originally Posted by Cozmo D
Yeah, I thought it needed a melody too. Wast just nice to try soloing over the top and have it as a bit of a jam... I don't normally write shit like that, but that's what popped into my head when I found the drum loop. All instruments apart from drums are done with Nuendo plugins and the midi controller. Some really nice effects with the Poly wavestation and stuff...
Nice work, keep pluggin at it! :)
heard the first one you posted and the latest.. both great ! havent heard any vocal yet,will try that link again .. kudos tho Ian,nice work
Old ones were removed from the FTP site... thanks for the compliments...